- Details
- By Native News Online Staff
The Museum at Warm Springs announced on Wednesday that it will host “Portraits in Red: Missing &; Murdered Indigenous People Painting Project,” a national traveling exhibition beginning on June 5, 2024.
The exhibition will be on view from then until Saturday, September 7, 2024.
“Portraits in Red: Missing & Murdered Indigenous People Painting Project” features 40 paintings by Nayana LaFond (Metis Nation) that focus on the Missing and Murdered Indigenous Relatives epidemic that is prevalent in Indian Country.
Behind each of the paintings is the voice of an Indigenous person who has suffered the impact of violence. Ninety-eight percent of Native people experience violence during their lifetime. Native women face murder rates 11 times the national average. These crimes are under-reported by the media and under-prosecuted by law enforcement.LaFond’s project brings visibility to this ongoing epidemic.
LaFond’s painting project began in 2020 with one painting, “Lauraina in RED,” created for the National Day of Awareness for Missing and Murdered Native Women and Girls, which is observed on May 5 and now known as Missing and Murdered Indigenous Persons Awareness Day.
Since 2020 she’s painted more than 50 commissioned portraits. As of February 2024, there were 110 completed paintings. Every portrait is of someone who is missing, was murdered, survived, a family member or friend, or an activist/hero fighting for the cause. LaFond hopes to make sure the missing and dead are never forgotten, to raise awareness about this serious issue, and to provide help with healing to the families.
LaFond is a full-time multidisciplinary artist and activist who resides with her child in Western Massachusetts. She attended Greenfield Community College for Fine Art and Massachusetts College of Art for Photography and then dropped out to become a full-time painter.
Her paintings and sculptures can be seen in galleries and museums around the world. Her project, “Missing & Murdered Indigenous People Painting Project,” has gained her international acclaim and is currently on display in museums around North America, including a Pacific Northwest Coast tour, a tour through the Institute of American Indian Studies Museum and more. LaFond has also been a curator and community arts organizer for more than 20 years, including serving as the former founding chief curator for The Whitney Center for the Arts (Pittsfield, Mass.). She also sits on the boards of several arts organizations, including as executive board member of Artist Organized Art in New York City. LaFond is a citizen of the Métis Nation of Ontario, Canada.
More Stories Like This
Delapna: We Project in Zuni Reaches More Than 650 People with "Rabbit Praying for Snow"Q&A with Laurel Goodluck, Author of "Fierce Aunties!"
Lily Gladstone’s Oscars Gowns Featured in New Smithsonian Exhibit on Indigenous Fashion
Native Filmmaker Julian Brave NoiseCat's "Sugarcane" Nominated for Oscar
The Chickasaw Nation Works to Enhance Monarch Butterfly Population
Can we take a minute to talk about tribal sovereignty?
Our mission draws from the warrior spirit that has sustained Indigenous peoples for generations — the same spirit that drives us to stand guard over tribal rights through relentless investigation and fearless reporting.
Sovereignty isn't just a concept – it's the foundation of Native nations' right to govern, protect our lands, and preserve our cultures. Every story we publish strengthens tribal sovereignty.
Unlike mainstream media, we center Indigenous voices and report directly from Native communities. When we cover land rights, water protection, or tribal governance, we're not just sharing news – we're documenting our living history and defending our future.
Our journalism is powered by readers, not shareholders. If you believe in the importance of Native-led media in protecting tribal sovereignty, consider supporting our work today.
