fbpx
facebook app symbol  twitter  linkedin  instagram 1
 
The Heart Stays, an upcoming film about the modern dreams of two Native American sisters, debuts on-demand on March 26, 2024. 
 

Directed and written by Diane Fraher (Osage/Cherokee), known for her compelling storytelling in previous works like The Reawakening, the film offers a poignant narrative that transcends cultural boundaries to present a universal coming-of-age tale.

Never miss Indian Country’s biggest stories and breaking news. Sign up to get our reporting sent straight to your inbox every weekday morning. 

As the sisters navigate their aspirations, they confront the harsh realities of racism, substance abuse, and violence, testing the strength of their bond. The elder sister grapples with the weight of responsibility, torn between pursuing her own ambitions and intervening to protect her younger sibling from the dangers that threaten to engulf her.

Set against the backdrop of Osage Native American culture, The Heart Stays provides insight into the complexities of identity, family dynamics, and the pursuit of dreams.  

Fraher talked to Native News Online about her journey from a passion for Native arts and advocacy to her career in filmmaking. She shares how she uses storytelling to uplift and empower Native youth, balancing Osage culture with a narrative that resonates universally. Fraher also highlights her inclusive approach to casting, involving the Native community in her work, and her hopes for how audiences will embrace her new film.

This interview has been edited for clarity and length.

NNO: What sparked your journey into your career path as a director?
It all began long ago, rooted in my passion for contemporary Native arts. I've always cherished our stories and wanted to share them.

I've also been deeply involved in advocating for women and Native women, facing the unique challenges we encounter. That led me to establish a Native American multi-arts organization, providing a platform for our voices to be heard and our work to thrive. Despite the ups and downs in the environment for Native people, I strive to remain hopeful. Historically, we've seen periods of progress followed by setbacks. Yet, in between, there are often long stretches of stagnation. Our organization was founded to ensure continuity in pursuing our dreams, independent of mainstream approval. We believe in the importance of self-expression and liberation, regardless of external validation.

What inspired you to tell this particular story?
Native stories hold a special place in my heart. They offer hope, inspiration, and valuable lessons. These stories are integral to the daily lives of Native people, shaping our ongoing journey. My desire to tell this tale stems from a deep commitment to the future of Native youth, aiming to uplift and empower them through storytelling.

How did you approach balancing the portrayal of Osage Native American culture with the universal coming-of-age narrative?
Well, the first thing I did was follow the stories that came out of my heart. I wanted to capture the spirit, and I believed the subtext lay in specificity, particularly in representing Osage culture authentically. Unlike many films about Native people, predominantly crafted by white males, which often feel superficial and lacking in true native essence, I aimed to emphasize the unique aspects of Osage identity. Rather than presenting a generic "pan-Indian" narrative, where various Native cultures are homogenized, I sought to delve into the specific nuances of Osage customs and beliefs. 

For instance, while it might have been tempting to craft a story where the younger sister takes center stage in a typical coming-of-age tale, in Osage culture, the oldest child holds the most significant role. As one elder once shared with me, it's often even more challenging when the oldest child is a woman. Thus, it became clear that the narrative needed to focus on the older sister. By centering the story around her struggles and aspirations, we were able to delve deeper into Osage culture, revealing its complexities and richness.

Could you share some insights into the casting process?
When it came to casting, I made a conscious decision to avoid non-Native casting directors. I felt that relying on them might lead to meeting talented Native individuals, but it would also mean seeing our community through their lens. For me, the crux of the matter was allowing us to define our own identity. It's about asserting, "This is who we are, this is how we do things, this is how we see things." Therefore, I wanted the casting process to be community-driven.

I also placed great importance on discovering genuinely talented individuals and giving them a platform. For me, filmmaking is about laying down a pathway for others, especially young Native artists, to tell their stories. This process isn't just about making a film; it's about creating opportunities and setting the stage for future generations.

In both the casting process and other aspects of filmmaking, I believe that having a diverse range of voices in leadership positions is crucial. It's the foundation upon which we build a more inclusive and representative film industry.

What message or takeaway do you hope audiences will walk away with after experiencing "The Heart Stays"?
I just hope they will let the story into their hearts. I love stories because, like we all do, they represent hope, healing, and inspiration. They have this incredible ability to stay with you long after the credits roll. It's like they become a friend to you.

The Heart Stays will be available for streaming on March 26 on Apple TV, Prime Video, Vudu, Google Play, and DirecTV.

More Stories Like This

Third Annual Tribal Museums Day Centers Diverse Histories, Cultures & Lifeways
Tommy Orange's "Wandering Stars" Makes TIME's 100 Must-Read Books of 2024 List
Barbie Honors Maria Tallchief, America’s First Prima Ballerina, with Inspiring Women Doll for Native American Heritage Month
10 Native American Artists and Musicians You Should Know
Here's What's Going On In Indian Country, November 8 — November 14

Support Independent Indigenous Journalism That Holds Power to Account

With the election now decided, Native News Online is recommitting to our core mission:  rigorous oversight of federal Indian policy and its impact on tribal communities.  

The previous Trump administration’s record on Indian Country — from the reduction of sacred sites to aggressive energy development on tribal lands — demands heightened vigilance as we enter this new term. Our Indigenous-centered newsroom will provide unflinching coverage of policies affecting tribal sovereignty, sacred site protection, MMIR issues, water rights, Indian health, and economic sovereignty.  

This critical watchdog journalism requires resources. Your support, in any amount, helps maintain our independent, Native-serving news coverage.  Every contribution helps keep our news free for all of our relatives. Please donate today to ensure Native News Online can thrive and deliver impactful, independent journalism

About The Author
Kaili Berg
Author: Kaili BergEmail: This email address is being protected from spambots. You need JavaScript enabled to view it.
Staff Reporter
Kaili Berg (Aleut) is a member of the Alutiiq/Sugpiaq Nation, and a shareholder of Koniag, Inc. She is a staff reporter for Native News Online and Tribal Business News. Berg, who is based in Wisconsin, previously reported for the Ho-Chunk Nation newspaper, Hocak Worak. She went to school originally for nursing, but changed her major after finding her passion in communications at Western Technical College in Lacrosse, Wisconsin.