ZUNI, NM — Earlier this month, four top students from the Zuni Youth Enrichment Project’s Emerging Artist Apprenticeship in graphic arts and painting showcased their original artwork at the acclaimed Keshi the Zuni Connection gallery during the 103rd Annual Santa Fe Indian Market. During the weekend, Aug. 15-17, they also had the opportunity to visit and experience the celebrated market itself.
Founded in 1922 and organized by the Southwestern Association for Indian Arts, the Santa Fe Indian Market is the world’s largest and most prestigious Indigenous art event. Each year, it brings together more than 1,000 Native artists from more than 200 tribal nations.
Never miss Indian Country’s biggest stories and breaking news. Sign up to get our reporting sent straight to your inbox every weekday morning.
It is also a major economic driver for the city. In 2024, the market officially attracted 31,000 visitors from around the world. Unofficial estimates put the total closer to 100,000.
“This weekend is all about uplifting Native American art in every medium,” said ZYEP Executive Director Tahlia Natachu, who chaperoned the four art students with ZYEP Food Sovereignty Leader Khass Hattie. “It was overwhelming in the best way—so many artists, so much talent! It was the perfect place to bring our kids.”
The four youth artists, ages 17 to 23, included: Kohl Watson, a senior at Zuni High School; Mariah Peywa, a recent ZHS graduate; Tiyana Haloo, an artist and former ZYEP Summer Camp counselor; and Lacy Longhat, a second-year student at the Institute of American Indian Art in Santa Fe.
The ZYEP crew left Zuni on Friday, Aug. 15 and visited the Indian Pueblo Cultural Center in Albuquerque before their arrival in Santa Fe. On Saturday morning, they explored the market.
“It was exciting to experience the market, make connections and talk about how different things related to Zuni culture,” Natachu said. “But we were grateful to set up the youth artists’ work at Keshi the Zuni Connection. It’s about a block away from the main market, so it wasn’t quite so hectic.
“We had a nice, steady flow of people at the gallery,” she continued. “Other Zuni artists were there as well, and everyone was super supportive. It was a great place for them to practice engaging with customers and talking about their work.”
The youth artists sold a few pieces while Natachu and Hattie staffed a ZYEP information booth. The sales experience also proved to be a good one—in more ways than one.
“Our young people were showcasing two-dimensional graphic art and painting, which were quite contemporary, and they observed that traditional art tends to be in higher demand,” Natachu explained. “They were OK with that. They said they were learning so much about the kinds of artists they want to be and whether they are interested in pursuing the art show circuit or not.”
On Saturday evening, the group enjoyed a little downtime at the local mall, “bonding and just being kids,” according to Natachu. On Sunday, Aug. 17, they returned to the show until 3 p.m., and then it was time to hit the road for Zuni.
“It was a great experience for all of us,” Natachu said. “Khass and I don’t normally get to chaperone trips like this, but Breydon Othole and Mia Sutanto, our art instructors for the recent Emerging Artist Apprenticeship, and Kandis Quam, our arts leader, all were in the show themselves. We had a great time!”
The trip also underscored the strength of ZYEP’s Emerging Artist Apprenticeship program, which is now in its fourth year.
Made possible with support from the Bezos Family Foundation and First Nations Development Institute, the 10-week Emerging Artist Apprenticeship Program in graphic arts and painting began on May 13 and culminated in a public showcase at Ho’n A:wan Park on July 18. Their work included paintings, printed aluminum pieces and merchandise such as mugs, magnets and keychains.
ZYEP is now preparing to welcome its fall cohort of 12 Emerging Artist Apprentices. For 10 weeks, they will be learning to create Zuni Pueblo pottery with instructors Gaylon Westika and Jacob Frye, skilled Zuni potters.
Help us tell the stories that could save Native languages and food traditions
At a critical moment for Indian Country, Native News Online is embarking on our most ambitious reporting project yet: "Cultivating Culture," a three-year investigation into two forces shaping Native community survival—food sovereignty and language revitalization.
The devastating impact of COVID-19 accelerated the loss of Native elders and with them, irreplaceable cultural knowledge. Yet across tribal communities, innovative leaders are fighting back, reclaiming traditional food systems and breathing new life into Native languages. These aren't just cultural preservation efforts—they're powerful pathways to community health, healing, and resilience.
Our dedicated reporting team will spend three years documenting these stories through on-the-ground reporting in 18 tribal communities, producing over 200 in-depth stories, 18 podcast episodes, and multimedia content that amplifies Indigenous voices. We'll show policymakers, funders, and allies how cultural restoration directly impacts physical and mental wellness while celebrating successful models of sovereignty and self-determination.
This isn't corporate media parachuting into Indian Country for a quick story. This is sustained, relationship-based journalism by Native reporters who understand these communities. It's "Warrior Journalism"—fearless reporting that serves the 5.5 million readers who depend on us for news that mainstream media often ignores.
We need your help right now. While we've secured partial funding, we're still $450,000 short of our three-year budget. Our immediate goal is $25,000 this month to keep this critical work moving forward—funding reporter salaries, travel to remote communities, photography, and the deep reporting these stories deserve.
Every dollar directly supports Indigenous journalists telling Indigenous stories. Whether it's $5 or $50, your contribution ensures these vital narratives of resilience, innovation, and hope don't disappear into silence.
The stakes couldn't be higher. Native languages are being lost at an alarming rate. Food insecurity plagues many tribal communities. But solutions are emerging, and these stories need to be told.
Support independent Native journalism. Fund the stories that matter.