Chris Nayquonabe, Adrienne Benjamin, Lucie Skjefte. (Photo/Bryce Johnson)Photo/

Minnetonka, the Minnesota-based footwear brand long associated with moccasins, is deepening its commitment to reconciliation with Native communities through its latest initiative, the Reclamation Collaborative.

The collaborative brings together a growing group of Native artists to redesign Minnetonkaโ€™s appropriated designs, reclaim cultural narratives, and set a new standard for accountability in the fashion industry.ย 

The effort builds on the brandโ€™s public apology in 2021 for decades of profiting from Native culture without credit or collaboration, a practice all too common in fashion.

For decades, Native artists have raised alarm about appropriation in the industry. According to the First Peoples Fund, 92% of Native artists say their designs have been used without permission, while less than 10% of brands that use Native patterns collaborate with Indigenous communities.

โ€œWeโ€™re trying to show businesses how you can show up better,โ€ Jori Miller Sherer, Minnetonkaโ€™s president, told Native News Online. โ€œThis work is not comfortable, and it shouldnโ€™t be. But itโ€™s necessary, and itโ€™s forever.โ€

The idea for the Reclamation Collaborative emerged from years of conversations betweenย Sherer, Minnetonka CEO David Miller, Head of Marketing staff, and the companyโ€™s reconciliation advisor, artist and educator Adrienne Benjamin (Mille Lacs Band of Ojibwe).

Benjamin, who has worked with the company since 2020, said the collaboration reflects not just a shift in design but a deeper investment in Indigenous voices.

โ€œAt first, I was unsure,โ€ Benjamin told Native News Online. โ€œThereโ€™s a lot of hurt in our communities because of appropriation. But each time an artist launched a project, it felt stronger, like we were building something meaningful together.โ€

Each artist in the collaborative contributes their own designs and expertise, but also works collectively to guide Minnetonkaโ€™s broader goals.

โ€œWe wanted a way to show that this isnโ€™t just one-off products,โ€ Benjamin said. โ€œItโ€™s a group consciously working to make changes.โ€

That vision extends beyond aesthetics. The company has set a long-term goal of removing or redesigning appropriated styles with authentic Native artistry.

โ€œReclamation means using what you already have to give back to those whoโ€™ve been excluded,โ€ Benjamin said.

Since launching its reconciliation work, Minnetonka has focused on building genuine relationships with artists, starting locally in Minnesota.ย 

Past collaborations have featured Ojibwe and Navajo artists. This fall, a Dakota artist will debut a beadwork design, completing what Benjamin called a โ€œMinnesota vibeโ€ by honoring both Ojibwe and Dakota communities in the state.

โ€œAll of them are not just artists, they have full-time jobs working in their communities,โ€ Sherer said.

The name โ€œReclamation Collaborativeโ€ itself came from the artists, highlighting their central role in shaping the initiative.

Minnetonka measures its progress around five pillars including design collaborations, business partnerships with Native-owned companies, brand language and imagery, employee education, and philanthropy.ย 

โ€œIf we only did philanthropy, it wouldnโ€™t be enough,โ€ Sherer noted. โ€œBut it would also be incomplete without it.โ€

Bothย Sherer and Benjamin emphasized that the collaborative is intended as a model for other brands.ย 

โ€œI hope this shows people it has to be more than just a one-off thing,โ€ Benjamin said. โ€œIt takes real, deep work, acknowledgement, apology, and change.โ€

That means moving beyond vague references to โ€œNative-inspiredโ€ designs and acknowledging the distinct tribes, artists, and stories involved.ย 

โ€œWeโ€™re teaching people itโ€™s not just โ€˜Native.โ€™ Itโ€™s Dakota. Itโ€™s Anishinaabe. Those are different, and deserve to be seen as such,โ€ Benjamin said.

Benjamin added that reconciliation is as much personal work as corporate.ย 

โ€œThere are still moments when my own traumas come up in this work. Native people have been burned so many times. But Minnetonka continues to show theyโ€™re standing in it, doing the work, and not just checking a box,โ€ Benjamin said.ย 

As the Reclamation Collaborative continues to grow, Minnetonka plans additional artist collaborations in 2026 and beyond, and hopes to expand into more product categories when feasible.

โ€œI want other companies, and even governments, to understand that if you want true reconciliation, you have to dig deep. You canโ€™t just write a check and walk away,โ€ Benjamin said.

Kaili Berg (Aleut) is a member of the Alutiiq/Sugpiaq Nation, and a shareholder of Koniag, Inc. She is a prior staff reporter for Native News Online and Tribal Business News. Berg, who is based in Wisconsin,...