Published March 29, 2018
OLYMPIA, WASHINGTON – The Evergreen State College has named Tina Kuckkahn-Miller, J.D. (Ojibwe) as its Vice President of Indigenous Arts and Education. Kuckkahn-Miller has served as the founding director of the college’s Longhouse Education and Cultural Center since 1996.
“The work that Tina will be doing, within our community, with Northwest tribes, and nationally and internationally, forms an important part of Evergreen’s strategy for future success,” said Evergreen President George Bridges.
The creation of the new position coincides with the expansion of Evergreen’s Indigenous Arts Campus, a series of art-making studios that are each informed by indigenous architectural design and cultural concepts. Anchored by the Longhouse, the Indigenous Arts Campus includes a carving studio, Pay3q’ali, that opened 2012. The latest addition, a fiber arts studio, will begin housing academic programs this summer, and an expanded carving studio will be built by December 2018.
A member of the Lac du Flambeau Band of Lake Superior OJibwe, Kuckkahn-Miller has long been one of the lead architects of the Longhouse’s arts and culture programs portfolio. In her new, expanded role, Kuckkahn-Miller will lead the integration of the Longhouse and the Indigenous Arts Campus with Evergreen’s Native academic programs.
“The Native programs at Evergreen are unique in the U.S.,” Kuckkahn-Miller said. “I look forward to working with our students, staff and faculty to find ways to build on our strengths.”
“I’m hopeful that a result of integrating the Longhouse and our new arts buildings with undergraduate programs will be attracting Native students who are drawn to what we can offer in spaces that affirm cultural identity.”” Kuckkahn-Miller said.
Kuckkahn-Miller will continue to lead strategic engagement with indigenous peoples in the Pacific Northwest and around the world.
“As we work to fulfill Evergreen’s mission, it is clear that we should build on the success of our indigenous arts and education programs,” said Bridges. “To do so, we must engage tribal partners at a senior level in government-to-government relationships as articulated in the Centennial Accord.”
In addition to her leadership in academics and tribal relationship building, Kuckkahn-Miller is also eager to continue to advance the Longhouse and Indigenous Arts Campus as a place for convening and supporting the work of Native artists.
In 1996, the Longhouse established an artist-in-residence program with six local Washington tribes. Today, it hosts artists from throughout the Pacific Rim and maintains a partnership with the government of New Zealand that began in 2006.
In August 2017, the Longhouse hosted its second Gathering of Indigenous Visual Artists of the Pacific Rim. It was attended by more than 100 artists who created art in eight different media forms over the course of nine days.
“These kinds of cultural exchanges are transformative for the artists who participate in them,” Kuckkahn-Miller said. “The artists simultaneously inspire each other and push each other’s creative boundaries. Their creative energy was felt by many across the Evergreen campus.”
Kuckkahn-Miller’s new position is supported by a three-year grant from the NoVo Foundation’s Indigenous Communities Program. The Indigenous Arts Campus studios are funded primarily by private donations, including five foundations, seven tribes and more than 170 individual donors.